Alias Grace: Miniseries - Rotten Tomatoes

Alias Grace: Miniseries (2017)

TOMATOMETER

AUDIENCE SCORE

Critic Consensus: Biting social commentary and Sarah Gadon's hypnotic performance make Alias Grace a worthy addition to the Margaret Atwood adaptation catalog.

Episodes

Air date: Nov 3, 2017
Air date: Nov 3, 2017
Air date: Nov 3, 2017
Air date: Nov 3, 2017
Air date: Nov 3, 2017
Air date: Nov 3, 2017

Alias Grace: Miniseries Trailers & Photos

Tv Season Info

Based on the award-winning novel by Margaret Atwood and inspired by true events, Alias Grace tells the story of Grace Marks (Sarah Gadon), a young, poor Irish immigrant and domestic servant in Upper Canada who - along with stable hand James McDermott (Kerr Logan) - finds herself accused and convicted of the infamous 1843 double murder of her employer Thomas Kinnear (Paul Gross), and his housekeeper Nancy Montgomery (Anna Paquin).

Genre: Drama
Network: Netflix
Premiere Date: Nov 2, 2017
Producer:

Cast

Sarah Gadon
as Grace Marks
Kerr Logan
as James McDermott
Paul Gross
as Thomas Kinnear
Anna Paquin
as Nancy Montgomery

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Critic Reviews for Alias Grace: Miniseries

All Critics (69) | Top Critics (31)

That's the ultimate appeal of Alias Grace: the subdued, no-shit narrative approach to Grace's story, and Gadon's performance of quiet strength.

December 5, 2017 | Full Review…
Village Voice
Top Critic

Margaret Atwood's heroines don't own their sexuality. With Alias Grace following The Handmaid's Tale,, the revolution is being televised.

December 1, 2017 | Rating: 9 | Full Review…
Women's Voices for Change
Top Critic

Alias Grace is a solid, well-made piece of television that doesn't hide its intelligence under a bonnet, as costume dramas can do. Nor does it attempt to keep your attention with soap opera style cliff-hangers.

November 29, 2017 | Rating: 3/5 | Full Review…
BBC.com

[Sarah] Gadon is extraordinary as the chameleon-like Grace, who seems at once naive and canny, calculating yet open-hearted, traditional but rebellious.

November 28, 2017 | Rating: 4/5 | Full Review…
The Straits Times (Singapore)

A haunting, subtle performance from Sarah Gadon.

November 21, 2017 | Full Review…
Los Angeles Times
Top Critic

Through Sarah Polley's rhythmic writing and Mary Harron's moody visuals, Margaret Atwood's beautiful prose has been translated to moving poetry in this engrossing series.

November 15, 2017 | Full Review…
News.com.au

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